Icon - Prazdniki

tempera, board, gilt; 31 x 26 cm;
Moscow, Palekh magazine, 1890.
The elaborate central scene, depicting the Anastasis - the Descent of Christ into the Abyss and the Resurrection of Jesus Christ, is surrounded by 12 outer quatrefoils showing scenes of the main Feasts of the Russian Church of the Liturgical Year.
The Palekh School as an independent artistic direction began its development in the 17th century. The main sources of inspiration for the Palekh masters were the Moscow and Suzdal traditions of icon painting. While retaining some features of ancient Russian iconography, the Palekh school nevertheless gave rise to a new style of icon painting that has even influenced modern religious art. The 18th century is considered the heyday of Palekh icon painting. Palekh icon painting is characterized by the frequent use of gold on the clothes of the saints, smoothness, variety of details in a complex composition and colors. Transitions of light and shadow are also unique features of Palekh icons. Other features of the painting style of Palekh icons include: miniature figures with elongated bodies; detailed landscapes, architecture; low horizon; increased
number of labels. The color palette is extremely wide - from lilac and emerald green to fiery scarlet and crimson. Corner decorations in the form of four evangelists are also a characteristic feature of Palech script.
The Palekh school of icon painting is an exceptional example of the high skills of Russian icon painters, who have created an amazing and recognizable style of painting religious icons. Authentic Palekh icons are highly valued today and are often exhibited not only in Orthodox churches, but also in museums around the world.