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Leonor Fini (1907-1996), Carmilla, 1983

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附加费用: +5% / 3% Droit de suite

Carmilla, 1983
Technique: color lithograph on velin paper
Dimensions of composition: 45.5 × 37.5 cm
Sheet dimensions: 57 × 46 cm
Signature and numbering: signed in pencil p. d.: Leonor Fini; numbering in pencil l. d.: 269/297 (publisher's dry stamp in lower margin)

Provenance / edition:
Print from portfolio: Joseph Sheridan Le Fanu, Carmilla, New York, Alsparck, 1983.
An edition of 297 numbered pieces; the offered piece is number 269.

Description:
The dark, theatrical image of two young women - one wearing a wreath of flowers, the other with a shiny, almost alabaster complexion - is in keeping with the gothic atmosphere of Le Fanu's story. The muted palette of browns and blacks contrasts with the fiery streak of the background, heightening the aura of unease and ambiguous intimacy characteristic of Leonor Fini's vision. Very good state of preservation; slight signs of age in margins.

Leonor Fini (1907-1996) - Argentine surrealist painter of Italian descent. Born in Buenos Aires, Argentina, she grew up in Trieste, Italy. At the age of 17 she moved to Milan and then to Paris. There she met: Paul Éluard, Max Ernst, Georges Bataille, Henri Cartier-Bresson, Pablo Picasso, André Pieyre de Mandiargues and Salvador Dalí and his wife Gala. She traveled around Europe in Cartier-Bresson's car, and during one such trip he took the famous photo of Fini naked in a swimming pool. The photo sold in 2007 for $305,000 (a record price for his work). She painted portraits of Jean Genet, Anna Magnani, Jacques Audiberti, Alida Valli, Jean Schlumberger (jewelry designer) and Suzanne Flon, as well as many other well-known Paris celebrities.
Despite her close ties to the Surrealist circle, she did not consider herself one of them. However, her works were often exhibited together with those of the Surrealists. Her paintings are very personal and symbolic, sometimes somewhat theatrical. You can see in them a fascination with the female body and sexuality. While working for Elsa Schiaparelli, she designed the flacon of Shocking perfume, which became a standard product of the Schiaparelli company. She also designed costumes and decorations for theater, ballet and opera. She designed the costumes for Renato Castellani's Romeo and Juliet (1954) and John Huston's Walk with Love and Death (1968). She was married once, briefly, to Fedrico Veneziani. From 1941 she was linked to Italian aristocrat and former consul in Monaco Stanislao Lepri, who, under her influence, took up Surrealist painting. From 1952, Fini became involved with Polish writer and publicist Konstanty Jelenski. From that year until the deaths of Lepri (1980) and Jelenski (1987), the three lived together in a house in Paris, leading an intense social life and revolving among the bohemian artistic community. All three were bisexual and also led a fairly casual sex life, entering into external relationships. At Jeleński's urging, Fini provided the Lambert Gallery (the originator and founder was Kazimierz Romanowicz) with a list of addresses of art dealers, collectors, snobs and salon regulars and art critics.


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姿态、戏剧、沉默 - 艺术拍卖会
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日期
05 三月 2026 CET/Warsaw
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姿态、戏剧、沉默 - 艺术拍卖会
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