Fowler. Antonio Susini (1558-1624) School of. From a model by Giambologna, possibly 17th century. Brass with impurities (see attached examinations) Brown patina

Venus Anadyomene. Tuscany, 16th-17th century. Bronze and transparent reddish patina.

Four Continents. France, 17th-18th century. Silvered bronze.

Allegory. Tuscan or French school, probably 17th-18th century. Bronze with a transparent greenish patina on a black background.

Astrological sign of Aquarius. Padua or Venice, 16th-17th century. Traces of dark artificial patina, large areas of transparent natural patina.

Mermaid. Barthelemy Prieur (Berzieux, 1536 - Paris, 1611) Attributed to the workshop, 16th-17th century. Bronze with a transparent reddish-gold patina and traces of dark patina.

A candlestick depicting a Harpy. Northern Europe, 12th-13th century. Bronze with a transparent gold patina over traces of black patina.

Amphora supported by Nereids (wedding vase?). Venetian art, 16th-17th century. Bronze with a transparent reddish patina over black traces.

Caesar in lorica. Venetian art? 16th-17th century. Patinated bronze. Non-contemporary wooden base.

Maria dé Medici. Barthelemy Prieur (Berzieux, 1536- Paris, 1611) Attributed. 16th-17th century. Bronze with a transparent reddish patina.

Candlestick with satyr and tritons. Severo Calzetta da Ravenna (Ravenna, 1465-1543). Workshop of the 16th-17th century. Bronze, transparent gilded patina with traces of black patina.

River God. Pietro Tacca (Carrara, 1577-Florence, 1640) Workshop. Bronze with a translucent reddish patina. Provenance: Christie's, Rome, November 24-25, 1987, lot 141. Private collection, Lombardy

Writing box. Severo Calzetta da Ravenna (Ravenna, 1465-1543) Workshop. Bronze, transparent reddish-brown patina, traces of black patina. Defects on the hinges.

Pair of historiated candlesticks. Padua or Venice, 16th-17th century. Translucent black and brown patina.

Cupid. Barthelemy Prieur (1535-1611) School of. Probably 17th century. Bronze with a transparent reddish patina, traces of black artificial patina.

Inkwell supported by lions or a container for liturgical use. 16th-17th century. Patinated bronze with traces of gilding, onyx.

Rampant Horse. Francesco Fanelli (Florence, 1577-Paris? 1663) School of. 17th-18th century. Bronze with a transparent reddish-brown patina over traces of dark patina.

Satyr with child. Severo Calzetta da Ravenna (Ravenna, ca. 1465-1543). Workshop of the 16th-17th century. Bronze with a transparent reddish patina over traces of black patina.

Minerva. Tiziano Aspetti, Workshop. 16th-17th century. Bronze with transparent gilded patina.

Living Christ. Ferdinando Tacca (Florence 1619-1686) School of. Probably 17th century. Bronze with transparent brown patina, traces of black patina.

Christ at the Column. Tuscan School? 17th-18th century. Bronze with brown patina.

Venus Removing a Thorn from Her Foot. Barthelemy Prieur (Berzieux, 1536-Paris 1611). Bronze, translucent reddish patina, traces of darker patination. Beautiful neoclassical mount in mixed marble and gilded bronze.

Hercules and Antaeus. Galeazzo Mondella, known as Moderno (Verona, 1464- Rome, 1528). Plaque.

Venus. Giambologna (Douai, 1529-Florence, 1608). From the model of Florence, probably 17th century. Patinated bronze with greenish traces. Jasper base.

Bacchic Man. Adriaen de Vries (The Hague, 1556-Prague, 1626). From a 16th-17th century model? Accompanied by alloy studies.

Woman Bathing. Giambologna (Douai, 1529-Florence, 1608) from a model. 17th-18th century. Patinated bronze, worn.

Pair of candlesticks. Niccolò Roccatagliata (1560 - 1636) School of. 16th-17th century. Bronze, black patina.

Kneeling Nymph. Giambologna (Douai 1529, Florence 1608). From the model of. Possibly 17th-18th century. Patinated bronze.

Seated Venus. Barthelemy Prieur (1536-1611) Workshop of. Mercury-gilt bronze

Bacchus with a Panther. Barthelemy Prieur (1536-1611). 17th century. Bronze with a transparent patina.

Daphne. Abraham Jamnitzer, from the 17th-century original. Patinated bronze and Sciacca coral. Accompanied by a CITES certificate.

Rampant lion. Florentine art, 16th-17th century. Bronze, transparent reddish patina. On a green marble base decorated with a high relief depicting the Rape of the Sabine Women.

Hercules and the Nemean Lion. Florentine art, 16th-17th century. Patinated bronze, splendid transparent reddish patina.

Risen Christ. Florentine art, 16th-17th century. Patinated bronze.

Kneeling Venus. After Giambologna. Tuscany, 17th-18th century. Reddish-black patinated bronze mounted on an antique mixed marble base.

Composite lamp. Venetian art, 17th century. Bronze with bituminous patina.

Christ, Living and Naked. Francesco Mochi (Montevarchi, 1580-Rome 1654). Attributed. 17th century. Patinated bronze.

Rampant Horse. Francesco Fanelli (Florence, 1577-Paris? 1663). 17th-18th century. Bronze with a transparent reddish patina.

Cupid riding a dolphin. Francesco Fanelli (Florence, 1577-Paris?, 1663) School of. Probably 17th century. Bronze, natural transparent brown patina over artificial black patina.

Nereid with a clam. Silvered bronze, Nuremberg? Probably 16th-17th century

Pair of putti. Niccolò Roccatagliata (1560 - 1636) School of. 17th century. Bronze with a transparent reddish patina over traces of black patina.

Satyr and nymph, Venetian art, 17th century, Bronze with black bituminous patina

Walking Horse, Giambologna (Douai, 1529-Florence, 1608) Workshop of. Bronze, transparent red lacquer.

Lion and Gazelle. Barthelemy Prieur (Berzieux, c. 1536-1611), Workshop. 17th century. Bronze with reddish patina over traces of black patina.

Hercules. Francesco Segala (Padua, ca. 1535-1592). Area of Padua, 16th-17th century. Lead with traces of gilding.

Harpy inkwell. Gilded bronze. Neoclassical period. 18th-19th century. Grand Tour.

Goddess of Fortune. Grand Tour period, 18th-19th century. Black patinated bronze.

Venus Callipygia. From an archaeological model. 18th-19th century. Black patinated bronze. Slight signs of wear.

Pair of Empire candlesticks. Gilded bronze. First half of the 19th century. Slight chipping on the marble base.

Dancing Satyr. Based on the model by Massimiliano Soldani Benzi (Montevarchi, 1656-1740). From an antique, 18th-19th century. Bronze with a hazelnut patina.

Apollo and Daphne. Based on a model by Gianlorenzo Bernini (Naples, 1589-Rome, 1680). Bronze with a transparent hazelnut patina, 19th century. French foundry mark.

David. From the model by Verrocchio. Tuscan foundry. Black patinated bronze. 19th century.

Flying Mercury. From the model by Giambologna (Douai, 1529-Florence, 1608). 18th-19th century. Bronze with a transparent gilded patina.

Venus with a Shell. From an archaeological motif. Patinated bronze, 19th century.

Laocoon. From the archaeological model. 19th century. Biscuit.

Capriccio in the Roman Countryside. Signed David 1794 on the verso. Oil-painted paper on antique stretcher.

Discus thrower. Biscuit. 19th century. Unidentified brand.

Bathing Venus. Naples, Chiurazzi Foundry. 19th century. Bronze with archaeological patina.

The King and Queen of Abyssinia. Patinated bronze. First half of the 19th century.

Neptune. By Giambologna. 19th century. Black patinated bronze.

Medici Lion. Patinated bronze with transparent hazelnut lacquer. First half of the 19th century. Non-contemporary wooden base.

Spiritello. From the model by Donatello. Anonymous foundry, 19th century. Bronze, transparent hazelnut patina.

Venus Anadyomene. 18th-19th century. Patinated bronze with traces of gilding. Beautiful antique base in mixed marbles.

Narcissus at the Fountain. Pencil on paper. 18th century.

Silenus. Chiurazzi Foundry, Naples, 19th century. Bronze with black patina.

Venus of the Shoemaker. Chiurazzi Foundry, Attributed. Naples, 19th century. Bronze with archaeological patina. Contemporary round red marble base.

Inkwell with panoplies. Early 19th century. Black patinated bronze.

Drunken Satyr. From an archaeological motif. Black patinated bronze. Naples, 18th-19th century.

Pair of candlesticks with cherubs. Gilded bronze with black patination. Early 19th century.

Rape of the Sabine Women. After Giambologna. Neoclassical period. 18th-19th century. Black patinated bronze.

Vestal Virgin. Based on the model by Antonio Canova (1757-1822). Early 19th century. Statuary marble.

Bacchus. 18th-19th century. Black bituminous patina.

Jupiter. From an archaeological model. Black patinated bronze. 19th century.

Knife grinder. E. De Labroue (active in Paris, 1850-1880). Bronze with transparent hazelnut patina.

Modesty. From an archaeological model. Biscuit, 19th century. Crowned N brand.

The Tivoli Falls. Tempera on cardboard. 19th century.

Mercury. Based on Giambologna's model. 18th-19th century. Patinated bronze. Original bronze and marble base.

Antinous. Silver-plated metal. 19th century.

Euterpe. Black patinated bronze, 19th century.

Two caricature portraits. Pastel on paper. France, 18th century.

第390场拍卖会 I——CUPRUM。一套重要的古代小型青铜器藏品；第390场拍卖会 II——“大旅行”。新古典主义青铜器、雕塑及绘画

Help centre open_in_new